Saltwind
Saltwind is like
acidburn in the nose and throat.
but feels cold in your stomach
like rain in the breeze of
an August day that is just warm enough
to make you forget
what page it is on the calendar.
When you’ve realized,
you’ve forgotten.
It feels like you’ve betrayed
that part of yourself
that you consider good,
how ever-shrinking the care
with which you tend it is.
I planted black tulips in checker plots
as a reminder to remember
the day I thought I’d never forget.
But the deer know only
that the day is better fed,
and so in place of tulips,
I have stems
and no blossoms to speak of.
When I knew
what it was to know you,
I danced in the image
of who you were,
Took evening trips through
dreams of our shared past,
and tasted saltwind
when I came to
in the morning.
That was your word,
saltwind.
And you
used it to mean something
I could never understand, but
I use it all the same
to mean the things you left behind.
The memories boxed-away,
The happiness long past shelf-life.
Your dictionary was dog-eared at M;
the sound which now holds
center-stage when I stare at the black lines
in my notebook: M is a hum.
A gentle remembrance of a sound,
but not one in itself.
It caresses,
holds ideas.
Warms thoughts until they are born
onto the page through ink-
fear-
pain.
M is the sound of curbwashed icemelt
when sun blinds
the snowpacked winter streets.
M is indefinable,
because I can’t read your handwriting.
But when I feel for a pulse
in its tear-smudged ink,
I remember your
fainting heartbeat
and the bristling touch of
Saltwind, in the air
That held us,
Me
just beneath your chin
I feel your coughs, still.
Bones
rattling
like chestrock.
Solid enough to hold me,
but too distant now
For me
to place a finger on the sound
Of your empty, drifting breaths,
Indefinable.
like the tempo of
gridlock just past rush-hour
or the taste of your first, bad kiss.
But like the letter M
Or saltwind,
I can imagine
That I understand.
And can fall asleep to
The lulling sound
off the face
I no longer
remember.
When You Come Home
To Us:
When you come home
in a blackout
and candles float
like lanterns
on the fire escapes,
join me
in dancing throngs of
311-free
revelry.
To Mom:
When you come home
At half-past
half-too late
I’ll miss you
in the morning
but I won’t wait
for you
at night.
To You:
When you come home
and the fire-hydrant’s burst
play
with me
in the spray
with me
for this day
with you
is the last we’ll have like this.
No time for play,
it’s all minwage now.
To Us:
When you come home
Or when you don’t.
Don’t let them
tell you this
is their home
now
To Me:
When you come home
and mama has a
black – eye
don’t say who.
To Him:
When you come home
and the shades are drawn
don’t knock
as if you know me.
just leave
as you came.
To Mom:
When you come home
it will be
our home
not his
anymore.
To Me:
When you come home
and it seems like
anything but home
know the changes
like seasons
run in patterns,
sink in rhymes
To You:
When you come home
I’ll be
waiting
like I have been
since the day you left.

Will Leggat is a high school senior from Brooklyn, New York. He attends Phillips Academy in Andover, Massachusetts, where he is the editor-in-chief of his school’s literary magazine, The Courant. He is also a graduate of the 2018 Iowa Young Writers’ Studio and the 2019 Kenyon Review Young Writers Workshop, and has received a National Silver Medal from the Scholastic Art & Writing Awards for his fiction, which primarily focuses on family, grief, loss, and belonging. Will is also a Prose Reader for The Adroit Journal. When he’s not writing, editing, or riding the Q Train, he’s drinking a bit too much coffee.